Abraxas, a Gnostic Pantheos
The Sun and the Moon as the central motif, with the Serpent and the Dragon and the Horse in a secondary part. From The Secret Teachings of All Ages.
Key · 3 motifs
Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.
- Primary motif
- Secondary motifs · 2
The picture
A rooster-headed figure in armour, whip raised and shield on the arm, stands in a chariot drawn by four white horses, his legs two serpents; the sun at the upper left, a crescent moon at the upper right, the name ABRAXAS lettered below; the Sun and the Moon as the central motif by Hall's reading of the figure as solar, the Serpent and the Horse by eye. By eye
Readings quoted
Hall, 1928 “The four white horses drawing the chariot of ABRAXAS symbolize the four ethers by means of which the solar power, ABRAXAS, is circulating through all parts of the universe.”
Hall, 1928 “The seven-lettered name of ABRAXAS is symbolically significant of his seven-rayed power.”
Hall, 1928 “Abraxas is usually symbolized as a composite creature, with the body of a human being and the head of a rooster, and with each of his legs ending in a serpent.”
Hall, 1928 “Basilides taught that the powers of the universe were divided into 365 Æons, or spiritual cycles, and that the sum of all these together was the Supreme Father, and to Him he gave the Qabbalistical appellation Abraxas, as being symbolical, numerologically, of His divine powers, attributes, and emanations.”
Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The composition, the picture read whole, comes with the entry.

Gold, the perfected metal, and the illuminated intellect. The most overloaded symbol in the tradition.
By eye The central motif, the sun at the upper left, the crescent moon at the upper right.
Symbolica Hall's caption reads the figure itself as the solar power and does not name the sun and the moon painted in the corners. Observed on the plate, and left unread rather than guessed.

No entry yet for this motif. The wall gathers every work that carries it.
By eye A secondary motif, the two legs, each ending in a serpent.
Hall, 1928 “Abraxas is usually symbolized as a composite creature, with the body of a human being and the head of a rooster, and with each of his legs ending in a serpent.”
King, quoted by Hall, 1928 “From the human body, the usual form assigned to the Deity, spring the two supporters, Nous and Logos, expressed in the serpents, symbols of the inner senses, and the quickening understanding; on which account the Greeks had made the serpent the attribute of Pallas.”

No entry yet for this motif. The wall gathers every work that carries it.
By eye A secondary motif, the four white horses drawing the chariot.
Hall, 1928 “The four white horses drawing the chariot of ABRAXAS symbolize the four ethers by means of which the solar power, ABRAXAS, is circulating through all parts of the universe.”
Also carrying the Sun and the Moon
15 works, 5 with it as the central motif. The symbol.
Also carrying the Serpent and the Dragon
10 works. The symbol.
Also carrying the Horse
6 works. The symbol.
By the same hand
In the same series
Record
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