Appone mulieri super mammas bufonem, ut ablactet eum, & moriatur mulier, sitque bufo grossus de lacte

Appone mulieri super mammas bufonem, ut ablactet eum, & moriatur mulier, sitque bufo grossus de lacte

The toad as the central motif, filed under the Demon and the Monster. From Atalanta Fugiens.

Michael Maier, 1618 “Appone mulieri super mammas bufonem, ut ablactet eum, & moriatur mulier, sitque bufo grossus de lacte.”

Symbolica, 2026 Maier’s Latin, put into English here: Set the toad at the woman's breast.

Michael Maier, 1618 “Foemineo gelidus ponatur pectore Bufo,
Instar ut infantis lactea pocla bibat.
Crescat & in magnum vacuata per ubera tuber,
Et mulier vitam liquerit aegra suam.
Inde tibi facies medicamen nobile, virus
Quod fuget humano corde, levetque luem.”

Symbolica, 2026 Maier’s epigram, put into English here: Let a cold Toad be set on a woman's breast, that it may drink the milky draught the way an infant does. Let it swell into a great tumour as the breasts are emptied, and let the woman, sickening, leave her life. From this you will make a noble medicine, one that drives the poison from the human heart and lifts the plague.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif

The toad at the breast, which the motto names; the archive has no group for a toad and files it with the beasts. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

The fifth emblem is the cruellest picture in the book, and Maier means it. ‘Appone mulieri super mammas bufonem, ut ablactet eum, & moriatur mulier, sitque bufo grossus de lacte’: set the toad at the woman's breast to be weaned, let the woman die, and let the toad grow fat on the milk. Merian drew a man doing it in a town square.

‘Foemineo gelidus ponatur pectore Bufo’, let a cold toad be set on a woman's breast, ‘Instar ut infantis lactea pocla bibat’, that it may drink the milky draught the way an infant does. Then it swells, ‘Et mulier vitam liquerit aegra suam’, and the woman, sickening, leaves her life. The last two lines turn it round: ‘Inde tibi facies medicamen nobile’, from this you will make a noble medicine, one that drives the poison from the human heart.

The archive has no group for a toad and files it with the beasts. What the emblem says about the beast is what the whole book says about its dragons: the poison is the material of the cure, and the cure costs the nurse her life.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1174 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Appone mulieri super mammas bufonem, ut ablactet eum, & moriatur mulier, sitque bufo grossus de lacte. Internet Archive catalogues it as: Emblema V, from Atalanta Fugiens, page 29
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Appone mulieri super mammas bufonem, ut ablactet eum, & moriatur mulier, sitque bufo grossus de lacte”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/appone-mulieri-super-mammas-bufonem-ut-ablactet-eum-moriatur-mulier-si/