Lupus ab Oriente & Canis ab Occidente venientes se invicem momorderunt

Lupus ab Oriente & Canis ab Occidente venientes se invicem momorderunt

The Demon and the Monster as the central motif, with the Sun and the Moon in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Lupus ab Oriente & Canis ab Occidente venientes se invicem momorderunt.”

Symbolica, 2026 Maier’s Latin, put into English here: The wolf from the east and the dog from the west, meeting, bit one another.

Michael Maier, 1618 “Hinc, ubi Sol oritur, Lupus advenit, ast ubi Ponto
Mergitur, inde canis, qui duo bile tument:
Hunc is, & hic illum, stimulante furore momordit,
Et rabidus rictu visus uterque fuit.
Sunt gemini hi lapides, gratis qui dantur ubique
Omnibus atque omni tempore, quos teneas.”

Symbolica, 2026 Maier’s epigram, put into English here: From here, where the Sun rises, comes a Wolf; but from where he sinks into the sea comes a Dog, and the two swell with bile. This one bit that, and that one this, with fury driving them, and both were seen rabid in their jaws. These are the twin stones, given free everywhere, to everyone and at every time. Hold on to them.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

The wolf and the dog savaging each other in an open landscape; the archive has no group for either animal yet. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Lupus ab Oriente & Canis ab Occidente venientes se invicem momorderunt’: the wolf from the east and the dog from the west, meeting, bit one another. Two animals fill the plate, jaws in each other's necks, and the sun comes up in the corner.

‘Hinc, ubi Sol oritur, Lupus advenit’, from here, where the sun rises, comes a wolf; ‘ast ubi Ponto / Mergitur, inde canis’, but from where he sinks into the sea comes a dog, ‘qui duo bile tument’, and the two swell with bile. The rising sun gives the picture its compass.

‘Hunc is, & hic illum, stimulante furore momordit’, this one bit that, and that one this, with fury driving them, ‘Et rabidus rictu visus uterque fuit’, and both were seen rabid in their jaws. Then the decoding: ‘Sunt gemini hi lapides, gratis qui dantur ubique / Omnibus atque omni tempore, quos teneas’, these are the twin stones, given free everywhere, to everyone and at every time; hold on to them. The two eagles of the emblem before agreed; the wolf and the dog fight. Both are the same pair of stones, and Maier shows the meeting going both ways.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Sun and the Moon

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1325 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Lupus ab Oriente & Canis ab Occidente venientes se invicem momorderunt. Internet Archive catalogues it as: Emblema XLVII, from Atalanta Fugiens, page 197
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Lupus ab Oriente & Canis ab Occidente venientes se invicem momorderunt”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/lupus-ab-oriente-canis-ab-occidente-venientes-se-invicem-momorderunt/