Seminate aurum vestrum in terram albam foliatam

Seminate aurum vestrum in terram albam foliatam

The sown earth as the central motif, filed under the Heavens. From Atalanta Fugiens.

Michael Maier, 1618 “Seminate aurum vestrum in terram albam foliatam.”

Symbolica, 2026 Maier’s Latin, put into English here: Sow your gold in white foliated earth.

Michael Maier, 1618 “Ruricolae pingui mandant sua semina terrae,
Cum fuerit rastris haec foliata suis.
Philosophi niveos aurum docuere per agros
Spargere, qui folii se levis instar habent:
Hoc ut agas, illud bene respice, namque quod aurum
Germinet, ex tritico videris, ut speculo.”

Symbolica, 2026 Maier’s epigram, put into English here: Country people commit their seed to the rich earth once their rakes have broken it up. The Philosophers have taught to scatter gold through snow-white fields that hold themselves like a light leaf. Do this, but look well at the other thing, for you will see, as in a mirror, that gold sprouts from the wheat.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif

A sower scattering seed across a field, a town behind; the earth rather than the heavens, filed with the cosmos as the nearest group the archive has. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Seminate aurum vestrum in terram albam foliatam’: sow your gold in white foliated earth. Merian's sower is a farmer with a hat and a basket, and what falls from his hand is coin.

Maier starts with the farmer, ‘Ruricolae pingui mandant sua semina terrae’, country people commit their seed to the rich earth once the rakes have broken it into leaves. Then the philosophers: ‘Philosophi niveos aurum docuere per agros’, they have taught to scatter gold through snow-white fields. And the reason, in the last couplet: look well at the other thing, for ‘Germinet, ex tritico videris, ut speculo’, you will see, as in a mirror, that gold sprouts from the wheat.

The earth here is the earth and not the sky, and the archive has no group for it. It is filed with the heavens as the nearest thing it has, and the plain line on the mark says so. What the emblem teaches is a correspondence, which is what the heavens usually teach in these pictures: what the field does to seed, the white earth does to gold.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1211 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Seminate aurum vestrum in terram albam foliatam. Internet Archive catalogues it as: Emblema VI, from Atalanta Fugiens, page 33
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Seminate aurum vestrum in terram albam foliatam”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/seminate-aurum-vestrum-in-terram-albam-foliatam/