Nutrix ejus terra est

Nutrix ejus terra est

The Heavens as the central motif, with the King and the Queen in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Nutrix ejus terra est.”

Symbolica, 2026 Maier’s Latin, put into English here: The earth is his nurse.

Michael Maier, 1618 “Romulus hirta lupae pressisse, sed ubera caprae
Jupiter, & factis, fertur, adesse fides:
Quid mirum, tenerae SAPIENTUM viscera PROLIS
Si ferimus TERRAM lacte nutrisse suo?
Parvula si tantas Heroas bestia pavit,
QUANTUS, cui NUTRIX TERREUS ORBIS, erit?”

Symbolica, 2026 Maier’s epigram, put into English here: Romulus is said to have pressed the shaggy teats of a she-wolf, and Jupiter those of a goat, and the deeds bear the story out. What wonder then, if we say the Earth nursed with her own milk the tender flesh of the Sages' Child? If so small a beast fed heroes so great, how great will he be whose Nurse is the Earthly Globe?

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

The earth as a woman with the globe at her waist and the infant inside it, a goat suckling its kid and a she-wolf her twins. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Nutrix ejus terra est’, the earth is his nurse, and Merian drew the sentence as a body: the earth is a woman, the globe sits at her waist, and the child is inside the globe with its mouth at her breast.

Maier argues by animals. ‘Romulus hirta lupae pressisse, sed ubera caprae’: Romulus is said to have pressed the shaggy teats of a she-wolf, and Jupiter those of a goat, and both animals are in the picture, the goat with its kid at the left and the wolf with her twins at the right. If so small a beast fed heroes so great, ‘QUANTUS, cui NUTRIX TERREUS ORBIS, erit?’, how great will he be whose nurse is the earthly globe?

The child is the ‘SAPIENTUM viscera PROLIS’, the tender flesh of the Sages' Child, and Maier prints the words in capitals so that the reader does not mistake it for a baby. It is the product of the work, and the emblem says where it gets its food.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the King and the Queen

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1290 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Nutrix ejus terra est. Internet Archive catalogues it as: Emblema II, from Atalanta Fugiens, page 17
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Nutrix ejus terra est”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/nutrix-ejus-terra-est/