Master's Carpet

Master's Carpet

The Eye as the central motif, with the Sun and the Moon, the Heavens and the Divine in a secondary part. From The True Masonic Chart, 1819.

Jeremy L. Cross, 1826 “Masters Carpet.”

Symbolica, 2026 Plate the frontispiece to the degrees of the chart, in the Master Mason degree. Cross's monitor, printed in the same volume, gives the lecture that explains each emblem on the plate in turn; it is the written key to this picture and is not yet quoted here.

The motifs the picture carries, filed by role. The marks on the picture itself come with the entry.

  1. 1The Eyecentral motif as it reads here: Master's Carpet
  2. 2The Sun and the Moonsecondary motif
  3. 3The Heavenssecondary motif
  4. 4The Divinesecondary motif

The two pillars with globes on a chequered pavement, the all-seeing eye above in a cloud, the sun at the left and the moon and seven stars at the right, a ladder to the cloud, the letter G, a beehive, an anchor, the tools and the coffin among the emblems. By eye

Not yet decoded: the motifs are tagged by eye and the readings above are quoted from their sources. The marks on the picture and the sourced notes come with the entry.

Record

Source
Rights
No known copyright restrictions, 1826 printing
Restoration
None. A 861 by 1400 pixel web copy made from the source file; nothing retouched, nothing upscaled.
Series
Artist
Jeremy L. Cross, masonic lecturer of New Hampshire and Connecticut, 1783 to 1860, who compiled the chart and its monitor; the plates were engraved by Amos Doolittle of New Haven
Titled here
Master's Carpet. Internet Archive catalogues it as: Master's Carpet, from The True Masonic Chart, New Haven 1826
Checked
the Internet Archive item metadata, 4 September 2026: Cross as author, New Haven, 1826, contributed by the Library of Congress, which states it is unaware of any copyright restrictions. Doolittle's signature is engraved on some plates and the attribution of the rest to him follows the book's own title. What is quoted was read off the plate; the monitor's lectures are not yet quoted. Not seen in the hand.
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This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “Master's Carpet”, Jeremy L. Cross, compiler; engraved by Amos Doolittle, 1826 printing, first published 1819. thesymbolica.com/work/master-s-carpet/