The Mosaic Pavement and the Blazing Star

The Mosaic Pavement and the Blazing Star

The Heavens as the central motif. From Masonic Chart.

Jeremy L. Cross, 1826 “Every well-governed Lodge is furnished with the Holy Bible, the Square, and the Compasses.”

Jeremy L. Cross, 1826 “The Holy Bible is dedicated to God; the Square, to the Master; and the Compasses, to the Craft.”

Jeremy L. Cross, 1826 “The Bible is dedicated to God, because it is the inestimable gift of God to man; *** the square to the master, because it is the proper masonic emblem of his office; and the compasses to the craft, because, by a due attention to their use, they are taught to circumscribe their desires, and keep their passions within due bounds.”

Jeremy L. Cross, 1826 “The Ornaments of a Lodge, are the Mosaic pavement, the indented tessel, and the blazing star.”

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif

A chequered pavement bordered with a tessellated band, a five-pointed star blazing in a disc at its centre, and the book, the square and the compasses above it. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

Plate 8 of Cross's chart draws the three ornaments of a lodge and, above them, its three pieces of furniture, and the monitor explains both sets on one page. ‘The Ornaments of a Lodge, are the Mosaic pavement, the indented tessel, and the blazing star.’ The pavement ‘is a representation of the ground floor of King Solomon's temple’, the border ‘that beautiful tesselated border, or skirting, which surrounded it’, and then, in the next sentence, the moral: ‘The Mosaic pavement is emblematical of human life, chequered with good and evil; the beautiful border which surrounds it, those manifold blessings and comforts which surround us’.

The star at the centre is five-pointed and drawn in a disc of white, and the lecture gives it two meanings, one historical and one moral. It ‘is commemorative of the Star which appeared, to guide the wise men of the East to the place of our Saviour's nativity’, and it stands for ‘Divine Providence, which is hieroglyphically represented by the blazing star in the centre’. Cross calls it a star and never a pentagram, and the archive files it with the stars.

Above the pavement sit the Bible, the square and the compasses. ‘Every well-governed Lodge is furnished with the Holy Bible, the Square, and the Compasses. The Holy Bible is dedicated to God; the Square, to the Master; and the Compasses, to the Craft.’ The reasons follow: the Bible ‘because it is the inestimable gift of God to man’, the square ‘because it is the proper masonic emblem of his office’, and the compasses ‘because, by a due attention to their use, they are taught to circumscribe their desires, and keep their passions within due bounds’. Three tools, three ranks, and a floor to stand them on.

The plate is a lodge reduced to its emblems, and the lecture is a walk across it. The word Cross keeps reaching for is emblematical: nothing here is a picture of a thing, everything is a picture of a lesson.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
No known copyright. The book was printed in 1826 and the holding institution records no known copyright restriction on its copy.
Restoration
The Library of Congress copy was photographed flat: this plate reached the archive with neither a true black nor a true white, and the engraved hatching read as grey fog. One black and one white point were set for all three channels together, read off the plate's own darkest and lightest tones, which deepens the ink and leaves the paper the colour it is. The per-channel version of the same correction, used on the painted plates of 1928, was rejected here because on ink and paper it also neutralises the paper. Saturation untouched. The web copy is made from the archive's cut of the page, so the correction is never applied twice. Nothing coloured, painted, sharpened or upscaled. A 759 by 1400 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Jeremy L. Cross, masonic lecturer of New Hampshire and Connecticut, 1783 to 1860, who compiled the chart and its monitor; the plates were engraved by Amos Doolittle of New Haven
Titled here
The Mosaic Pavement and the Blazing Star. Internet Archive catalogues it as: The Mosaic Pavement and the Blazing Star, from The True Masonic Chart, New Haven 1826
Checked
the Internet Archive item metadata, 4 September 2026: Cross as author, New Haven, 1826, contributed by the Library of Congress, which states it is unaware of any copyright restrictions. Doolittle's signature is engraved on some plates and the attribution of the rest to him follows the book's own title. What is quoted was read off the plate; the monitor's lectures are quoted where the printed monitor carries them, read against the page images of pages 16, 17 and 38 to 41; where the monitor is silent the record says so. Not seen in the hand. The lectures quoted on the marks were read against the page images of pages 16 to 19, 24 and 38 to 41, and Exodus iii. 1 to 6 against page 103, on 5 September 2026.
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Cite
Symbolica, “The Mosaic Pavement and the Blazing Star”, Jeremy L. Cross, compiler; engraved by Amos Doolittle, 1826 printing, first published 1819. thesymbolica.com/work/the-mosaic-pavement-and-the-blazing-star/