The Setting Maul, the Spade, the Coffin and the Sprig of Acacia

The Setting Maul, the Spade, the Coffin and the Sprig of Acacia

Death and the Skull as the central motif, with the Tree and the Pentagram in a secondary part. From Masonic Chart.

Symbolica, 2026 The sprig on the coffin is the one the lecture means. The maul, the spade and the coffin themselves are not explained in the printed monitor; that part of the lecture was not published.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 2

A setting maul and a spade crossed above, a coffin below with a five-pointed star cut into its lid, and a sprig of acacia growing at its head. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

The last plate of the Master Mason's emblems is the one the lecture closes on. A setting maul and a spade are crossed above; below them a coffin lies on the ground with a five-pointed star cut into its lid, and a sprig of acacia grows at its head.

The monitor prints nothing on the maul, the spade or the coffin: that part of the lecture belonged to the unwritten work. It prints only the sentence that ends the section, and the sentence names the thought the coffin stands for: ‘Thus we close the explanation of the emblems upon the solemn thought of death, which, without revelation, is dark and gloomy’.

The same sentence turns on the sprig: ‘but the Christian is suddenly revived by the ever green and ever living sprig of Faith in the merits of the Lion of the tribe of Judah.’ The acacia is the one green thing on the plate, and it is drawn growing out of the ground the coffin lies on.

The star on the lid is five-pointed. The lecture does not name it, and the archive records it as seen.

Death, and a plant that does not die. The plate is the sentence, and the tools above it are the part of the sentence that was never written down.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
No known copyright. The book was printed in 1826 and the holding institution records no known copyright restriction on its copy.
Restoration
The Library of Congress copy was photographed flat: this plate reached the archive with neither a true black nor a true white, and the engraved hatching read as grey fog. One black and one white point were set for all three channels together, read off the plate's own darkest and lightest tones, which deepens the ink and leaves the paper the colour it is. The per-channel version of the same correction, used on the painted plates of 1928, was rejected here because on ink and paper it also neutralises the paper. Saturation untouched. The web copy is made from the archive's cut of the page, so the correction is never applied twice. Nothing coloured, painted, sharpened or upscaled. A 728 by 1400 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Jeremy L. Cross, masonic lecturer of New Hampshire and Connecticut, 1783 to 1860, who compiled the chart and its monitor; the plates were engraved by Amos Doolittle of New Haven
Titled here
The Setting Maul, the Spade, the Coffin and the Sprig of Acacia. Internet Archive catalogues it as: The Setting Maul, the Spade, the Coffin and the Sprig of Acacia, from The True Masonic Chart, New Haven 1826
Checked
the Internet Archive item metadata, 4 September 2026: Cross as author, New Haven, 1826, contributed by the Library of Congress, which states it is unaware of any copyright restrictions. Doolittle's signature is engraved on some plates and the attribution of the rest to him follows the book's own title. What is quoted was read off the plate; the monitor's lectures are quoted where the printed monitor carries them, read against the page images of pages 16, 17 and 38 to 41; where the monitor is silent the record says so. Not seen in the hand. The lectures quoted on the marks were read against the page images of pages 16 to 19, 24 and 38 to 41, and Exodus iii. 1 to 6 against page 103, on 5 September 2026.
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Cite
Symbolica, “The Setting Maul, the Spade, the Coffin and the Sprig of Acacia”, Jeremy L. Cross, compiler; engraved by Amos Doolittle, 1826 printing, first published 1819. thesymbolica.com/work/the-setting-maul-the-spade-the-coffin-and-the-sprig-of-acacia/