The Buried Stone, the Castle and the Beasts

The Buried Stone, the Castle and the Beasts

Death and the Skull as the central motif, with the Pillar, the Serpent and the Dragon, the Lion, and the Sun and the Moon in a secondary part. From The Ripley Scroll.

Tap a motif on the picture, or a line below. Its note opens under the line.

  1. Primary motif
  2. Secondary motifs · 4

Two shrouded figures lie on patterned beds, each attended by a winged figure with a vessel, under a Latin banner; a column with four naked climbers stands in a walled enclosure with eight watchmen on its turrets and a red dragon under the battlements; two rearing beasts flank a white font with a red column in it; a winged lion sits on a plinth between a small sun and a small moon; a large moon face and a large sun face stand at the foot. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

The other half of this pair carries almost no writing, and what it does carry is in Latin and sits under two people lying down. Read that banner first, because it is the only statement the sheet makes: “Est lapis Occultus Secreto fonte Sepultus.” There is a hidden stone, buried in a secret spring.

Above it, twice over, a figure lies on a patterned bed in a shroud and hood with a winged attendant leaning in. The first angel holds out a shallow oval dish. The second holds something round and red. Neither figure on the bed is doing anything, and the word underneath them is buried.

Then the sheet stops explaining itself. A walled enclosure with eight small watchmen posted on its turrets, and inside it one column with a crocketed capital, up which four naked figures are climbing, the topmost hanging head down. Nothing here is lettered. A maker who wrote names beside his lions on the companion sheet wrote nothing beside this.

A red dragon sits inside the same enclosure, under the battlements, wings raised. The wall is around it rather than against it, which is worth noticing before anyone reads the castle as a defence.

Lower down, two rearing beasts, one red and one tawny, flank a white font with a red column standing in it. Below them a winged lion sits alone on a plinth with a small sun at one shoulder and a small moon at the other, the only figure on the sheet holding both.

And at the foot the two faces, drawn large: a moon as a crescent laid over a full disc, and a sun as a plain disc with straight rays, one at each side of a stem hung with four small suns, a bird and a black sun. Everything on this half is legible as drawing and silent as text. Turn to the left-hand sheet and the same hand will not stop talking.

Not yet decoded: the motifs are marked, but most of the marks carry no reading yet and say so. The sourced notes come with the entry.

Record

Source
Rights
Public Domain Mark. Wellcome Collection marks the work as free of known copyright restrictions.
Restoration
None. A 378 by 1400 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Titled here
The Buried Stone, the Castle and the Beasts. Wellcome Collection catalogues it as: Alchemical devices. Watercolour after George Ripley.
Checked
Wellcome Collection's own catalogue record, 4 September 2026: the rights, the maker, the date, accession syws9dy2. The title on this page is ours, as the line above says. Not seen in the gallery. Keyed 10 September 2026. Every line quoted on this record was read off Wellcome Collection's own image at its full published size, 852 by 3160 pixels, enlarged three to five times; nothing here comes from a transcription of the Ripley Scroll made anywhere else, and nothing is quoted that could not be read. The sheet is a watercolour copy after George Ripley and the museum records no date for it, so the date line stays empty rather than borrowing one from the fifteenth-century poem or from the sixteenth-century scrolls. Not seen in the gallery.
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Cite
Symbolica, “The Buried Stone, the Castle and the Beasts”, Watercolour after George Ripley, date not recorded. thesymbolica.com/work/alchemical-devices-after-the-ripley-scroll-right/