Dolo Typhon Osyridem trucidat, artúsque illius Hinc inde dissipat, sed hos collegit Isis inclyta

Dolo Typhon Osyridem trucidat, artúsque illius Hinc inde dissipat, sed hos collegit Isis inclyta

Death and the Skull as the central motif, with the King and the Queen in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Dolo Typhon Osyridem trucidat, artúsque illius Hinc inde dissipat, sed hos collegit Isis inclyta.”

Symbolica, 2026 Maier’s Latin, put into English here: Typhon kills Osiris by a trick and scatters his limbs, but glorious Isis gathered them.

Michael Maier, 1618 “Syria Adonidem habet, Dionysum Graecia, Osirim
Aegyptus, qui sunt nil nisi SOL Sophiae:
Isis adest soror, & conjunx ac mater Osiris,
Cujus membra Typhon dissecat, illa ligat.
Defluit at pudibunda mari pars, sparsa per undas,
Sulphur enim, SULPHUR quod generavit, abest.”

Symbolica, 2026 Maier’s epigram, put into English here: Syria has Adonis, Greece Dionysus, Egypt Osiris, and these are nothing but the SUN of the Sages. Isis is there, sister and wife and mother of Osiris, whose limbs Typhon cuts apart and she binds together. But the shameful part floats away to sea, scattered through the waves, for the Sulphur that begot the SULPHUR is missing.

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  1. Primary motif
  2. Secondary motifs · 1

The crowned body in the open coffin, the killers around it, Isis gathering at the back. By eye

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‘Dolo Typhon Osyridem trucidat, artúsque illius Hinc inde dissipat, sed hos collegit Isis inclyta’: Typhon kills Osiris by a trick and scatters his limbs here and there, but glorious Isis gathered them. A crowned corpse in an open coffin, the men who did it standing round, and at the back a woman picking up what is left.

Maier begins by saying that the dead god has three names: ‘Syria Adonidem habet, Dionysum Graecia, Osirim / Aegyptus’, Syria has Adonis, Greece Dionysus, Egypt Osiris, ‘qui sunt nil nisi SOL Sophiae’, and these are nothing but the sun of the sages. Adonis was two emblems ago; this is the same death in Egyptian dress. ‘Isis adest soror, & conjunx ac mater Osiris’, Isis is there, sister and wife and mother of Osiris, ‘Cujus membra Typhon dissecat, illa ligat’, whose limbs Typhon cuts apart and she binds together.

The body in the coffin is the sun of the work, dismembered so that it can be put together again. One part is not recovered: ‘Defluit at pudibunda mari pars, sparsa per undas’, but the shameful part floats away to sea, scattered through the waves, ‘Sulphur enim, SULPHUR quod generavit, abest’, for the sulphur that begot the sulphur is missing. The queen gathers everything but the seed, and the emblem is about what a dismemberment costs.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the King and the Queen

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1307 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Dolo Typhon Osyridem trucidat, artúsque illius Hinc inde dissipat, sed hos collegit Isis inclyta. Internet Archive catalogues it as: Emblema XLIV, from Atalanta Fugiens, page 185
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Dolo Typhon Osyridem trucidat, artúsque illius Hinc inde dissipat, sed hos collegit Isis inclyta”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/dolo-typhon-osyridem-trucidat-artusque-illius-hinc-inde-dissipat-sed-h/