Rex ab aquis potatis morbum, à medicis curatus sanitatem obtinet

Rex ab aquis potatis morbum, à medicis curatus sanitatem obtinet

The King and the Queen as the central motif, with the Crown, the Water and the Vessel in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Rex ab aquis potatis morbum, à medicis curatus sanitatem obtinet.”

Symbolica, 2026 Maier’s Latin, put into English here: The king made sick by the water he drank is cured by the physicians and made well.

Michael Maier, 1618 “Divitiis populisque potens Rex fontis amavit,
Portari a servis quas sibi poscit, aquas:
Has bibit & rebibit, venas mox inde repletus
Discolor a claris suscipitur medicis;
A quibus ut purgatus erat, sudoribus, alvo,
Oreque, mox tincta est utraque mala rosis.”

Symbolica, 2026 Maier’s epigram, put into English here: A King powerful in riches and in peoples loved the waters of a spring, and demanded that his servants carry them to him. He drank them and drank again, and soon, his veins filled from them, he is taken in hand, discoloured, by famous physicians. When he had been purged by them through sweat, through the belly and through the mouth, both his cheeks were soon tinged with roses.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 3

The crowned king taking the cup from the physician, the sick man in the bed behind. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Rex ab aquis potatis morbum, à medicis curatus sanitatem obtinet’: the king, made sick by the water he drank, is cured by the physicians and made well. A palace interior: the king in bed at the back with his doctors, and in front the same king on his feet, crowned, taking a cup from a young man.

‘Divitiis populisque potens Rex fontis amavit’, a king powerful in riches and in peoples loved the waters of a spring, ‘Portari a servis quas sibi poscit, aquas’, and demanded that his servants carry them to him. He walked out of the sea thirsty in the thirty-first emblem, and he wears the same crown here.

‘Has bibit & rebibit’, he drank them and drank again, ‘venas mox inde repletus / Discolor a claris suscipitur medicis’, and soon, his veins filled from them, famous physicians take him in hand, discoloured. The ewer on the floor holds the water, and for once in this book the water sickens the patient.

‘A quibus ut purgatus erat, sudoribus, alvo, / Oreque’, when they had purged him through sweat, through the belly and through the mouth, ‘mox tincta est utraque mala rosis’, both his cheeks were soon tinged with roses. The cup carries the physic, and the roses in the cheeks bring up the colour the whole book has worked toward. The king dissolved in the sea comes back fixed, and red.

The crown never comes off, in the sea or in the sickbed. Nothing else in the story survives unchanged, which is Maier's way of saying that the cure runs through one metal from end to end.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1317 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Rex ab aquis potatis morbum, à medicis curatus sanitatem obtinet. Internet Archive catalogues it as: Emblema XLVIII, from Atalanta Fugiens, page 201
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
By email · free

One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “Rex ab aquis potatis morbum, à medicis curatus sanitatem obtinet”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/rex-ab-aquis-potatis-morbum-a-medicis-curatus-sanitatem-obtinet/