The Burning Bush

The Burning Bush

Fire as the central motif, with the Divine and the Tree in a secondary part. From Masonic Chart.

Jeremy L. Cross, 1826 “Exodus III. 1-6.”

Amos Doolittle, 1826 “Doolittle Sc.”

Symbolica Plate 33 of the chart, in the Royal Arch degree. The monitor prints the six verses the plate cites in that degree, on pages 103 and 104, under the heading Exodus iii, 1 to 6. The archive quotes them from the Douay-Rheims, Challoner revision, the English text it uses for scripture throughout.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 2

Moses kneeling with his staff before a bush that burns on a mountainside, his face hidden in his arm, his shoes beside him and his flock below, and a winged figure standing in the flame. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

Plate 33 illustrates a passage of scripture, and the plate says which: Exodus III. 1-6 is engraved beneath it, and the monitor prints the six verses in the Royal Arch degree, on pages 103 and 104. Moses kneels at the left with his staff, his face hidden in his arm, his shoes beside him and his flock below; the bush burns on the mountainside; a winged figure stands in the flame.

‘And the Lord appeared to him in a flame of fire out of the midst of a bush: and he saw that the bush was on fire, and was not burnt.’ Moses' answer is the picture's subject: ‘I will go, and see this great sight, why the bush is not burnt.’ The engraver has kept the bush whole under the flame, leaves and all.

The figure in the fire is the appearance itself. The Challoner note on the verse says how to take it: ‘The Lord appeared.... That is, an angel representing God, and speaking in his name.’ Doolittle drew the angel with wings, standing calm in the flame, and what the figure says is the last verse of the plate's reference: ‘I am the God of thy father, the God of Abraham, the God of Isaac, and the God of Jacob. Moses hid his face: for he durst not look at God.’

The bush is filed with the trees because it is the plant that does not burn. The fifth verse gives the ground its name, ‘the place, whereon thou standest, is holy ground’, and Moses has his shoes off beside him, as the verse orders.

The plate is the one place in Cross's chart where the emblem is a scene: not a tool or a floor standing for a lesson, but six verses drawn as they read.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
No known copyright. The book was printed in 1826 and the holding institution records no known copyright restriction on its copy.
Restoration
The Library of Congress copy was photographed flat: this plate reached the archive with neither a true black nor a true white, and the engraved hatching read as grey fog. One black and one white point were set for all three channels together, read off the plate's own darkest and lightest tones, which deepens the ink and leaves the paper the colour it is. The per-channel version of the same correction, used on the painted plates of 1928, was rejected here because on ink and paper it also neutralises the paper. Saturation untouched. The web copy is made from the archive's cut of the page, so the correction is never applied twice. Nothing coloured, painted, sharpened or upscaled. A 856 by 1400 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Jeremy L. Cross, masonic lecturer of New Hampshire and Connecticut, 1783 to 1860, who compiled the chart and its monitor; the plates were engraved by Amos Doolittle of New Haven
Titled here
The Burning Bush. Internet Archive catalogues it as: The Burning Bush, from The True Masonic Chart, New Haven 1826
Checked
the Internet Archive item metadata, 4 September 2026: Cross as author, New Haven, 1826, contributed by the Library of Congress, which states it is unaware of any copyright restrictions. Doolittle's signature is engraved on some plates and the attribution of the rest to him follows the book's own title. What is quoted was read off the plate; the monitor's lectures are quoted where the printed monitor carries them, read against the page images of pages 16, 17 and 38 to 41; where the monitor is silent the record says so. Not seen in the hand. The lectures quoted on the marks were read against the page images of pages 16 to 19, 24 and 38 to 41, and Exodus iii. 1 to 6 against page 103, on 5 September 2026.
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Cite
Symbolica, “The Burning Bush”, Jeremy L. Cross, compiler; engraved by Amos Doolittle, 1826 printing, first published 1819. thesymbolica.com/work/the-burning-bush/