Accipe ovum & igneo percute gladio

Accipe ovum & igneo percute gladio

Fire as the central motif, with the Vessel in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Accipe ovum & igneo percute gladio.”

Symbolica, 2026 Maier’s Latin, put into English here: Take the egg and strike it with a fiery sword.

Michael Maier, 1618 “Est avis in mundo sublimior omnibus, OVUM
Cujus ut inquiras, cura sit una tibi.
Albumen luteum circumdat molle vitellum,
Ignito (ceu mos) cautus id ense petas:
Vulcano Mars addat opem: pullaster & inde
Exortus, ferri victor & ignis erit.”

Symbolica, 2026 Maier’s epigram, put into English here: There is a bird in the world higher than all others, and to seek out its EGG should be your one care. A soft white surrounds the yellow yolk; go at it carefully, as the custom is, with a fiery sword. Let Mars bring his aid to Vulcan, and the chick that rises from it will be conqueror of iron and of fire.

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The egg on a bench, the sword raised, the furnace burning at the left. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Accipe ovum & igneo percute gladio’: take the egg and strike it with a fiery sword. A soldier stands over an egg on a bench with his sword raised, and a furnace burns behind him. It is the plainest picture in the book and the strangest instruction.

‘Est avis in mundo sublimior omnibus’, there is a bird in the world higher than all others, and its egg, ‘Cujus ut inquiras, cura sit una tibi’, should be your one care to seek out. ‘Albumen luteum circumdat molle vitellum’, a soft white surrounds the yellow yolk: the egg is described as a thing with an inside, which is what a vessel is.

Then the sword, which has to be hot: ‘Ignito (ceu mos) cautus id ense petas’, go at it carefully, as the custom is, with a fiery sword. ‘Vulcano Mars addat opem’, let Mars bring his aid to Vulcan, iron to fire, and the chick that rises from the broken egg ‘ferri victor & ignis erit’, will be conqueror of iron and of fire. The furnace at the left is Vulcan, the sword is Mars, and the egg between them is the work.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Vessel

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1186 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Accipe ovum & igneo percute gladio. Internet Archive catalogues it as: Emblema VIII, from Atalanta Fugiens, page 41
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Accipe ovum & igneo percute gladio”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/accipe-ovum-igneo-percute-gladio/