Naturam natura docet, debellet ut ignem

Naturam natura docet, debellet ut ignem

Fire as the central motif. From Atalanta Fugiens.

Michael Maier, 1618 “Naturam natura docet, debellet ut ignem.”

Symbolica, 2026 Maier’s Latin, put into English here: Nature teaches nature to overcome fire.

Michael Maier, 1618 “Flamma, vorat quae cuncta, velut Draco, gnaviter ursit
Virginis eximium vi superare decus:
Hinc lachrymis suffusa viro dum forte videtur,
Ille fuit miserae ferre paratus opem.
Protinus hanc clypeo velans contendit in hostem,
Et docuit tantas spernere mente minas.”

Symbolica, 2026 Maier’s epigram, put into English here: The flame that devours everything pressed hard, like a Dragon, to overcome by force the rare beauty of a Virgin. When she was seen by a man, in tears, he was ready to bring the poor girl help. At once, veiling her with his shield, he went at the enemy, and taught her to despise such threats in her mind.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif

A woman leading an armed figure toward the flames. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Naturam natura docet, debellet ut ignem’: nature teaches nature to overcome fire. A naked woman leads an armed man by the hand toward a blaze; he holds his shield up before her.

‘Flamma, vorat quae cuncta, velut Draco, gnaviter ursit / Virginis eximium vi superare decus’, the flame that devours everything pressed hard, like a dragon, to overcome by force the rare beauty of a virgin. She weeps, a man sees her, ‘Ille fuit miserae ferre paratus opem’, he was ready to bring the poor girl help. ‘Protinus hanc clypeo velans contendit in hostem’, at once, veiling her with his shield, he went at the enemy, ‘Et docuit tantas spernere mente minas’, and taught her to despise such threats in her mind.

The fire is a dragon and the man is a shield: nature attacked and nature defended, and the motto says that the second teaches the first. In the work, the matter has to learn to bear the fire, and something in the matter itself is what teaches it.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1252 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Naturam natura docet, debellet ut ignem. Internet Archive catalogues it as: Emblema XX, from Atalanta Fugiens, page 89
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Naturam natura docet, debellet ut ignem”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/naturam-natura-docet-debellet-ut-ignem/