Rex natans in mari, clamans altâ voce: Qui me eripiet, ingens præmium habebit

Rex natans in mari, clamans altâ voce: Qui me eripiet, ingens præmium habebit

The Water as the central motif, with the King and the Queen, and the Crown in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Rex natans in mari, clamans altâ voce: Qui me eripiet, ingens præmium habebit.”

Symbolica, 2026 Maier’s Latin, put into English here: The king swims in the sea crying out, whoever saves me shall have a great reward.

Michael Maier, 1618 “Rex Diadema caput cui praegravat, aequore vasto
Innatat, atque altis vocibus usus ait:
Cur non fertis opem? Cur non accurritis omnes,
Quos ereptus aquis sorte beare queo?
In mea, si sapitis, me regna reducite, nec vos
Pauperies premet aut corporis ulla lues.”

Symbolica, 2026 Maier’s epigram, put into English here: A King whose head is weighed down by his crown swims in a vast sea, and calls out in a loud voice: Why do you bring no help? Why do you not all run to me, whom I could enrich if I were drawn from the water? If you have any sense, bring me back into my kingdom, and neither poverty nor any sickness of the body will press on you.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 2

The crowned king swimming and calling, ships and a town on the shore. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Rex natans in mari, clamans altâ voce: Qui me eripiet, ingens præmium habebit’: the king swims in the sea, crying out in a loud voice, whoever saves me shall have a great reward. Ships stand off the shore and a town watches from the far side, and nobody is coming.

‘Rex Diadema caput cui praegravat, aequore vasto / Innatat’, a king whose head is weighed down by his crown swims in a vast sea, and he shouts: ‘Cur non fertis opem? Cur non accurritis omnes’, why do you bring no help, why do you not all run to me, ‘Quos ereptus aquis sorte beare queo’, whom I could enrich if I were drawn from the water? ‘In mea, si sapitis, me regna reducite’, if you have any sense, bring me back into my kingdom, and neither poverty nor any sickness of the body will press on you.

The crown stays on. It is the weight that is sinking him and the sign of what he is worth, and Maier makes both points in one word, praegravat.

The sea is where the king is dissolved, and the emblem is about the moment before the rescue. In the pictures of this book water dissolves and does not kill, and the king in it is a reward waiting for whoever has the sense to fish him out.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1231 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Rex natans in mari, clamans altâ voce: Qui me eripiet, ingens præmium habebit. Internet Archive catalogues it as: Emblema XXXI, from Atalanta Fugiens, page 133
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Rex natans in mari, clamans altâ voce: Qui me eripiet, ingens præmium habebit”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/rex-natans-in-mari-clamans-alta-voce-qui-me-eripiet-ingens-prmium-habe/