Ex duabus aquis, fac unam, & erit aqua sanctitatis

Ex duabus aquis, fac unam, & erit aqua sanctitatis

The Water as the central motif, with the Vessel in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Ex duabus aquis, fac unam, & erit aqua sanctitatis.”

Symbolica, 2026 Maier’s Latin, put into English here: Of two waters make one, and it will be the water of holiness.

Michael Maier, 1618 “Sunt bini liquido salientes gurgite fontes,
Hinc Pueri calidam suggerit unus aquam:
Alter habet gelidam, quae Virginis Unda vocatur,
Hanc illi jungas, sint aquae ut una duae:
Rivus & hic mixtas vires utriusque tenebit,
Ceu Jovis Hammonii fons calet atque riget.”

Symbolica, 2026 Maier’s epigram, put into English here: There are two springs leaping with clear water. One of them supplies the Boy's warm water; the other has cold, which is called the Virgin's Wave. Join this to that, so that the two waters are one, and this stream will hold the mixed powers of both, as the spring of Jupiter Ammon is both hot and cold.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

Two fountain figures, a boy at the left and a virgin at the right, pouring water from their mouths into basins, workers between them joining the streams, a round temple and an obelisk behind. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Ex duabus aquis, fac unam, & erit aqua sanctitatis’: of two waters make one, and it will be the water of holiness. A boy and a young woman stand at either edge of the plate pouring water from their mouths into basins, and men work between them; a round temple and an obelisk stand behind.

‘Sunt bini liquido salientes gurgite fontes’, there are two springs leaping with clear water. ‘Hinc Pueri calidam suggerit unus aquam’, one of them supplies the boy's warm water; ‘Alter habet gelidam, quae Virginis Unda vocatur’, the other has cold, which is called the virgin's wave. Warm and cold, male and female: the two waters are the pair of the other emblems in another state.

‘Hanc illi jungas, sint aquae ut una duae’, join this to that, so that the two waters are one, ‘Rivus & hic mixtas vires utriusque tenebit’, and this stream will hold the mixed powers of both, ‘Ceu Jovis Hammonii fons calet atque riget’, as the spring of Jupiter Ammon is both hot and cold. The basins are the vessel of the mixing, and the temple behind them says what the mixed water is called: holy.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Vessel

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1317 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Ex duabus aquis, fac unam, & erit aqua sanctitatis. Internet Archive catalogues it as: Emblema XL, from Atalanta Fugiens, page 169
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Ex duabus aquis, fac unam, & erit aqua sanctitatis”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/ex-duabus-aquis-fac-unam-erit-aqua-sanctitatis/