Jungfrau Sophia, the Virgin Wisdom

Jungfrau Sophia, the Virgin Wisdom

The Virgin Sophia as the central motif, filed under the Crown, with the Hand, Fire, the Heavens and the Sun and the Moon in a secondary part. From Gemma Sapientiae et Prudentiae, c. 1735.

Symbolica, 2026 The manuscript's German, put into English here: The Virgin Sophia, the heavenly and earthly Eve, the mother of all creatures.

Wellcome Collection, 2026 “p. 52. Jungfrau Sophia = Geh Fig., fol. 46.”

Wellcome Collection, 2026 “Four of the illustrations have considerable likenesses to those in the 'Geheime Figuren der Rosenkreuzer', originally published at Altona in 1785-1788.”

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A hand-coloured page: a crowned naked woman with long hair, a sceptre in her right hand and a globe lettered Archaeus with the four elements in her left, a flame at her womb holding a gold disc lettered Figura Divina, standing behind a great wheel of fire, starry heaven, zodiac and earth, with small coloured circles floating round her and three small figures of the elements and planets along the foot; the Virgin Sophia as the central motif. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

The caption is the whole doctrine: Jungfrau Sophia, die Himmlische und Irdische Eva, die Mutter aller Creaturen. The Virgin Sophia, the heavenly and earthly Eve, the mother of all creatures. Sophia is Wisdom, who in the Book of Proverbs was with God before the world and in the Book of Wisdom is the breath of his power; in the German mystics of the seventeenth century, Jacob Boehme above all, she became a person, the bride the soul must find again. Here a writer of the 1730s paints her as a naked queen, and the Wellcome's catalogue matches the page to folio 46 of the Geheime Figuren der Rosenkreuzer, printed fifty years later.

She is crowned and carries a sceptre, and a small cross hangs at her breast. The crown says she rules; the cross says under whom. The two Eves of the caption are both present in her, the earthly one who fell and the heavenly one through whom, in Boehme's teaching, the fall is undone.

In her left hand she holds up a globe lettered Archaeus, with fire, air, water and earth in four small discs round it. The archeus was Paracelsus' name for the hidden workman in every natural thing, the inner power that shapes it, and the four elements are its materials. Wisdom holds it the way a queen holds an orb: this is her realm, and it runs by her.

At her womb a red flame encloses a gold disc lettered Figura Divina, the divine figure. That is the title the same writer gave the page of the Godhead twenty-nine leaves earlier in the volume, the eye in the triangle. The manuscript is pointing from one of its pictures to another: what Wisdom carries in her body is the image of God, and you have already been shown it.

She stands behind the whole created world, drawn as a wheel: a rim of fire, the blue starry heaven, the twelve signs of the zodiac, and the earth at the centre in its rings of the elements. Four small coloured circles float in the air round her, and along the foot of the page three small figures count the world out: the four elements as four arrows turning, the seven planets as the corners of a figure, and a half-dark circle whose rays are numbered 1, 2, 3, 6 and 16, the writer's arithmetic of the elements.

The sun, with a face, sits at the top of the wheel where it touches her. It is the only planet given a body here; the others appear as signs. The mother of all creatures stands over the light they live by, and the picture is complete: God in her womb, nature in her hand, the world at her feet.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The manuscript was written about 1735 and the holding institution marks it as free of known copyright worldwide.
Restoration
Assembled at full resolution from the Wellcome Collection's IIIF tiles of the page; nothing painted, no colour correction. A 834 by 1400 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Titled here
Jungfrau Sophia, the Virgin Wisdom. Wellcome Collection catalogues it as: Jungfrau Sophia, die Himmlische und Irdische Eva, die Mutter aller Creaturen, as the writer captions the page
Checked
Not yet checked against a second source. The record is as the holding institution published it, or as its caption was read here.
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Cite
Symbolica, “Jungfrau Sophia, the Virgin Wisdom”, An unknown German hand, c. 1735. thesymbolica.com/work/jungfrau-sophia-the-virgin-wisdom-c-1735/