Arborem cum sene conclude in rorida domo, & comedens de fructu ejus fiet juvenis

Arborem cum sene conclude in rorida domo, & comedens de fructu ejus fiet juvenis

The Tree as the central motif, with the Vessel in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Arborem cum sene conclude in rorida domo, & comedens de fructu ejus fiet juvenis.”

Symbolica, 2026 Maier’s Latin, put into English here: Shut the tree up with the old man in a dewy house.

Michael Maier, 1618 “Arbor inest hortis Sophiae dans aurea mala,
Haec tibi cum nostro sit capienda sene;
Inque domo vitrea claudantur, roreque plena,
Et sine per multos haec duo juncta dies:
Tum fructu (mirum!) satiabitur arboris ille
Ut fiat juvenis qui fuit ante senex.”

Symbolica, 2026 Maier’s epigram, put into English here: In the gardens of Wisdom stands a tree giving golden apples. Take it together with our old man, and let them both be shut in a house of glass full of dew, and leave the two joined there many days. Then, a wonder, he will be so filled with the fruit of the tree that he becomes young who before was old.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

The tree and the old man enclosed together in a glass house. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Arborem cum sene conclude in rorida domo, & comedens de fructu ejus fiet juvenis’: shut the tree up with the old man in a dewy house, and eating of its fruit he will become young. Merian made the dewy house a domed pavilion with glass walls, and put the tree and the man inside it.

‘Arbor inest hortis Sophiae dans aurea mala’, in the gardens of Wisdom stands a tree giving golden apples, and it is to be taken, ‘Haec tibi cum nostro sit capienda sene’, together with our old man. He is not a gardener; he is what the fruit is for.

‘Inque domo vitrea claudantur, roreque plena’, let them be shut in a house of glass full of dew, ‘Et sine per multos haec duo juncta dies’, and leave the two joined there many days. Then the wonder: ‘Ut fiat juvenis qui fuit ante senex’, so that he becomes young who before was old. The glass house is the sealed vessel of the work, and the dew is what fills it; the tree and the man are the two things joined inside.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Vessel

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1316 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Arborem cum sene conclude in rorida domo, & comedens de fructu ejus fiet juvenis. Internet Archive catalogues it as: Emblema IX, from Atalanta Fugiens, page 45
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Arborem cum sene conclude in rorida domo, & comedens de fructu ejus fiet juvenis”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/arborem-cum-sene-conclude-in-rorida-domo-comedens-de-fructu-ejus-fiet/