Fac ex mare & fœmina circulum, inde quadrangulum, hinc triangulum, fac circulum & habebis lap. Philosophorum

Fac ex mare & fœmina circulum, inde quadrangulum, hinc triangulum, fac circulum & habebis lap. Philosophorum

The Triangle and the Pyramid as the central motif, with the Heavens, and the King and the Queen in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Fac ex mare & fœmina circulum, inde quadrangulum, hinc triangulum, fac circulum & habebis lap. Philosophorum.”

Symbolica, 2026 Maier’s Latin, put into English here: Make a circle of the man and the woman, then a square, then a triangle, then a circle, and you will have the philosophers' stone.

Michael Maier, 1618 “Foemina masque unus fiant tibi circulus, ex quo
Surgat, habens aequum forma quadrata latus.
Hinc Trigonum ducas, omni qui parte rotundam
In sphaeram redeat: Tum LAPIS ortus erit.
Si res tanta tuae non mox venit obvia menti,
Dogma Geometra si capis, omne scies.”

Symbolica, 2026 Maier’s epigram, put into English here: Let woman and man become for you one circle, from which a square figure with equal sides may rise. From this draw a Triangle, which on every side returns into a round sphere. Then the STONE will have come to birth. If so great a thing does not at once meet your mind, you will know it all if you grasp the Geometer's teaching.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 2

The geometer setting his compass to the circle, the square and the triangle, the man and the woman inside them: the figure the site's mark is drawn from. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Fac ex mare & fœmina circulum, inde quadrangulum, hinc triangulum, fac circulum & habebis lap. Philosophorum’: make a circle of the man and the woman, then a square, then a triangle, then a circle, and you will have the philosophers' stone. Merian drew a geometer in a scholar's gown setting his compass to a great circle on a brick wall, with all four figures nested inside it.

The sequence starts with the pair. ‘Foemina masque unus fiant tibi circulus’, let woman and man become for you one circle, ‘ex quo / Surgat, habens aequum forma quadrata latus’, from which a square figure with equal sides may rise. The man and the woman stand in the innermost circle, and the square is drawn round them.

‘Hinc Trigonum ducas’, from this draw a triangle, ‘omni qui parte rotundam / In sphaeram redeat’, which on every side returns into a round sphere: ‘Tum LAPIS ortus erit’, then the stone will have come to birth. The triangle is the third figure, and in this archive's terms a count rather than a shape: two become four become three become one.

The outer circle is the one everything returns into. ‘Si res tanta tuae non mox venit obvia menti’, if so great a thing does not at once meet your mind, ‘Dogma Geometra si capis, omne scies’, you will know it all if you grasp the geometer's teaching. The compass on the wall is the whole promise of the book: the work is a construction, and can be drawn.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1241 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Fac ex mare & fœmina circulum, inde quadrangulum, hinc triangulum, fac circulum & habebis lap. Philosophorum. Internet Archive catalogues it as: Emblema XXI, from Atalanta Fugiens, page 93
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “Fac ex mare & fœmina circulum, inde quadrangulum, hinc triangulum, fac circulum & habebis lap. Philosophorum”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/fac-ex-mare-fmina-circulum-inde-quadrangulum-hinc-triangulum-fac-circu/