Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem

Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem

Fire as the central motif, with the King and the Queen in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem.”

Symbolica, 2026 Maier’s Latin, put into English here: As Ceres did Triptolemus and Thetis Achilles, so the artist accustoms the stone to the fire.

Michael Maier, 1618 “Respice Triptolemum, durumque in praelio Achillem,
Matre docente, aestus ut didicere graves.
Illum Diva Ceres, Thetis hunc durabat in igne
Noctu, lacte ferens ubera plena die:
Haud secus assuescat medicina beata Sophorum,
Quam puer ad mammas, ut queat igne frui.”

Symbolica, 2026 Maier’s epigram, put into English here: Look at Triptolemus, and at Achilles hard in battle, and how, with a mother teaching them, they learned to bear heavy heat. Divine Ceres hardened the one in fire by night, Thetis the other, and by day carried breasts full of milk. In just this way let the blessed medicine of the Sages be accustomed, as a child is to the breast, so that it can enjoy the fire.

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  1. Primary motif
  2. Secondary motifs · 1

The nurse with the child at her breast and, at the right, the child held over the flames. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem’: as Ceres accustomed Triptolemus and Thetis Achilles to stay under the fire, so does the artist his stone. A nurse with a child at the breast sits at the left; at the right another woman holds a child over the flames.

‘Respice Triptolemum, durumque in praelio Achillem’, look at Triptolemus, and at Achilles hard in battle, and how, with a mother teaching them, they learned to bear heavy heat. ‘Illum Diva Ceres, Thetis hunc durabat in igne / Noctu’, divine Ceres hardened the one in fire by night, Thetis the other. The fire on the mountain is that hardening, and the child is held into it on purpose.

By day the same child is fed: ‘lacte ferens ubera plena die’, carrying breasts full of milk by day. ‘Haud secus assuescat medicina beata Sophorum’, in just this way let the blessed medicine of the sages be accustomed, ‘Quam puer ad mammas, ut queat igne frui’, as a child is to the breast, so that it can enjoy the fire. Milk by day, fire by night, until the fire is something the child enjoys: the stone is raised, not made.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the King and the Queen

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1150 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem. Internet Archive catalogues it as: Emblema XXXV, from Atalanta Fugiens, page 149
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/ceres-triptolemum-thetis-achillem-ut-sub-igne-morari-assuefecit-sic-ar/