Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, æs Hermetis, & aqua fœtida

Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, æs Hermetis, & aqua fœtida

The Lion as the central motif, with the Water in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, æs Hermetis, & aqua fœtida.”

Symbolica, 2026 Maier’s Latin, put into English here: Three things suffice: white smoke, the green lion, and stinking water.

Michael Maier, 1618 “Terna magisterii sunt semina, foetida Lympha,
Et niveus vapor, ac pelle LEO viridi:
Unda parens peperit, restant quae, elementa, Sophisque
Ut lapidem faciant, ultima primaque ea est.
Aes Hermetis at est viridis LEO, petraque nota
Librorum capitlis, Fumus & albus aqua.”

Symbolica, 2026 Maier’s epigram, put into English here: Three are the seeds of the mastery: a stinking water, a snow-white vapour, and the LION in his green skin. The parent wave bore the elements that remain, and for the Sages, in making the stone, it is both last and first. The green LION is the copper of Hermes, the stone named in the chapter headings of the books, and the Smoke is white water.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

The great maned lion standing crowned with leaves, the green lion the motto names; white smoke rising at the upper left and water with vapour over it at the right, the other two of the three. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, æs Hermetis, & aqua fœtida’: three things suffice for the mastery, white smoke, that is, water, the green lion, that is, the copper of Hermes, and stinking water. Merian gave the middle of the plate to the lion, set the white smoke rising in a column at the upper left, and ran the water along the right.

‘Terna magisterii sunt semina, foetida Lympha, / Et niveus vapor, ac pelle LEO viridi’, three are the seeds of the mastery: a stinking water, a snow-white vapour, and the lion in his green skin. The green lion has an entry of its own in this archive, and this is the picture it stands on: a lion that is not green, because the print has no colour, crowned with leaves to say what colour he would be. Maier decodes him in the last couplet: ‘Aes Hermetis at est viridis LEO’, the green lion is the copper of Hermes, ‘petraque nota / Librorum capitlis’, the stone named in the chapter headings of the books.

‘Fumus & albus aqua’, and the smoke is white water. The column of white smoke at the upper left is the second seed, and the water at the right, with vapour over it, is the third. ‘Unda parens peperit, restant quae, elementa’, the parent wave bore the elements that remain, and for the sages, in making the stone, ‘ultima primaque ea est’, it is both last and first. Three ingredients, and the emblem gives the lion the middle and the other two the edges, which is roughly how Maier's explanation is divided as well.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Water

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1326 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, æs Hermetis, & aqua fœtida. Internet Archive catalogues it as: Emblema XXXVII, from Atalanta Fugiens, page 157
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
By email · free

One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, æs Hermetis, & aqua fœtida”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/tria-sufficiunt-ad-magisterium-fumus-albus-hoc-est-aqua-leo-viridis-id/