Hic leo, quas plumas non habet, alter habet

Hic leo, quas plumas non habet, alter habet

The Lion as the central motif, with the Angel and the Wing in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Hic leo, quas plumas non habet, alter habet.”

Symbolica, 2026 Maier’s Latin, put into English here: This lion has the feathers the other has not.

Michael Maier, 1618 “Victor quadrupedum LEO pectore fortis & ungue
Absque metu pugnat, dissimulatque fugam:
Aligeram cui tu pedibus conjunge Leaenam,
Quae volat & secum vult relevare marem:
Ille sed immotus stat humo, retinetque volantem,
Haec tibi naturae monstret imago viam.”

Symbolica, 2026 Maier’s epigram, put into English here: The LION, conqueror of four-footed things, strong in breast and claw, fights without fear and will not feign flight. Join to his feet a winged Lioness, who flies and wants to lift the male with her. But he stands unmoved on the ground and holds the flier back. Let this image show you the way of nature.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

The winged lion and the wingless lion together, one bearing down on the other. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Hic leo, quas plumas non habet, alter habet’: this lion has the feathers the other has not. Two lions fill the plate, one winged and one not, and they are fighting or embracing; Merian leaves it hard to say which.

‘Victor quadrupedum LEO pectore fortis & ungue’, the lion, conqueror of four-footed things, strong in breast and claw, fights without fear and will not feign flight. ‘Ille sed immotus stat humo, retinetque volantem’, but he stands unmoved on the ground and holds the flier back. ‘Haec tibi naturae monstret imago viam’: let this image show you the way of nature.

The wings are hers. ‘Aligeram cui tu pedibus conjunge Leaenam’, join to his feet a winged lioness, ‘Quae volat & secum vult relevare marem’, who flies and wants to lift the male with her. In the language of the work the winged one is the volatile, what rises off in the heat, and the wingless one is the fixed, what stays in the vessel. Maier's picture of nature is the fixed holding the volatile down until it stays.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Angel and the Wing

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1300 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Hic leo, quas plumas non habet, alter habet. Internet Archive catalogues it as: Emblema XVI, from Atalanta Fugiens, page 73
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Hic leo, quas plumas non habet, alter habet”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/hic-leo-quas-plumas-non-habet-alter-habet/