The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals

The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals

The Divine as the central motif, with the Triangle and the Pyramid and Fire in a secondary part. From Amphitheatrum.

Heinrich Khunrath, 1609 “Ora. Labora. Christo.”

Heinrich Khunrath, 1609 “Dignus Yehoshuah solus, accipere Librum, et aperire signacula eius: Hallelujah, Hallelujah, Hallelujah.”

Heinrich Khunrath, 1609 “Timor Dei. Temperantia. Humilitas. Justitia. Patientia. Fortitudo.”

Heinrich Khunrath, 1609 “Mandata eius observa.”

Heinrich Khunrath, 1609 “Cognitio. Amor. Spes. Phantasia. Sensus exteriores. Sensus interior. Simplicitatem. Similitudo. Mens. Familiaritas. Intellectus. Et Ternarius per Spiritus Sanctus, Quaternarius.”

Paullus van der Doort, 1609 “Dei gratia inventor: Paullus vander Doort Antwerp: sculpsit.”

Symbolica, 2026 Khunrath's Latin, put into English here. On the man: Pray. Work. In Christ. In the book: Worthy is Jesus alone to take the Book and to open its seals, Hallelujah, which is the Apocalypse, chapter five, with the Lamb's name written in Hebrew. On the rays: the fear of God, temperance, humility, justice, patience, fortitude. On the ribbon: keep his commandments. In the rings: knowledge, love, hope, imagination, the outer senses, the inner sense, simplicity, likeness, mind, familiarity, understanding, and the Three through the Holy Spirit, the Four. This is the plate that puts Khunrath's two words on a body: Ora on one arm and Labora on the other, the same pair that the Citadel's caption gives as praying theosophically and working physico-chemically. Much of the smaller lettering, in Latin, Greek and Hebrew, is not yet transcribed.

The motifs the picture carries, filed by role. The marks on the picture itself come with the entry.

  1. 1The Divinecentral motif as it reads here: The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals
  2. 2The Triangle and the Pyramidsecondary motif
  3. 3Firesecondary motif

A circle of lettered rings, and inside it a square holding a standing man lettered Christo on his body and Ora and Labora on his arms, an open book with its seals at the left, the virtues raining down as drops from a glory at the top, and a pyramid of lines behind him. By eye

Not yet decoded: the motifs are tagged by eye and the readings above are quoted from their sources. The marks on the picture and the sourced notes come with the entry.

Record

Source
Rights
Licence ouverte, 1609 printing
Restoration
None. A 1400 by 1308 pixel web copy made from the source file; nothing retouched, nothing upscaled.
Series
Artist
Heinrich Khunrath, physician and theosopher of Leipzig, about 1560 to 1605, who devised the plates of the Amphitheatrum and wrote their captions; the Oratory and Laboratory was drawn by Hans Vredeman de Vries and engraved by Paullus van der Doort in 1595
Titled here
The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals. Internet Archive catalogues it as: The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals, from Amphitheatrum Sapientiae Aeternae, Hanau 1609
Checked
the Internet Archive item metadata for both copies, 4 September 2026: Khunrath as author, Hanau, G. Antonius, 1609; the Paris copy under Licence ouverte and the Wellcome copy under the Public Domain Mark. The plate captions were read off the page images and are quoted only as far as they could be read. Not seen in the hand.
By email · free

One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals”, Heinrich Khunrath, designer, 1602 to 1609. thesymbolica.com/work/the-regenerate-man-ora-et-labora/