The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals

The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals

The Divine as the central motif, with the Triangle and the Pyramid in a secondary part. From Amphitheatrum.

Heinrich Khunrath, 1609 “Cognitio. Amor. Spes. Phantasia. Sensus exteriores. Sensus interior. Simplicitatem. Similitudo. Mens. Familiaritas. Intellectus. Et Ternarius per Spiritus Sanctus, Quaternarius.”

Paullus van der Doort, 1609 “Dei gratia inventor: Paullus vander Doort Antwerp: sculpsit.”

Symbolica, 2026 Khunrath's Latin, put into English here. On the man: Pray. Work. In Christ. In the book: Worthy is Jesus alone to take the Book and to open its seals, Hallelujah, which is the Apocalypse, chapter five, with the Lamb's name written in Hebrew. On the rays: the fear of God, temperance, humility, justice, patience, fortitude, mercy, prudence, kindness, chastity. On the ribbon: fear God, and keep his commandments. In the rings: knowledge, love, hope, imagination, the outer senses, the inner sense, simplicity, likeness, mind, familiarity, understanding, and the Three through the Holy Spirit, the Four. This is the plate that puts Khunrath's two words on a body: Ora on one arm and Labora on the other, the same pair that the Citadel's caption gives as praying theosophically and working physico-chemically. Much of the smaller lettering, in Latin, Greek and Hebrew, is not yet transcribed. Read again at the size of the archive's image, the man stands inside a triangle whose three sides are lettered Seek first the Kingdom of God and his justice, and all these things shall be added to you, and the rings about him read Wisdom incarnate; the drops from the glory are ten streams, not six, and the ribbon under his feet begins Fear God.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

A circle of lettered rings, and inside it a square holding a standing man lettered Christo on his body and Ora and Labora on his arms, framed by a triangle lettered with seek first the Kingdom of God, an open book with its seals at the left, the tablets of the Law at the right, and the virtues raining down as lettered drops from the Name in a glory at the top. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

A circle of lettered rings, a square inside the circle, and inside the square a man with his arms raised. He is lettered: ‘Ora. Labora. Christo.’, pray on one arm, work on the other, in Christ across his body, and the rings about his head and heart read ‘Sapientia incarnata’, wisdom incarnate.

He stands inside a triangle, and the triangle is a sentence running along its three sides: ‘Quaerite primum Regnum Dei, et iustitiam eius, et haec omnia adiicientur vobis’, seek first the Kingdom of God and his justice, and all these things shall be added to you. The ribbon under his feet is the other half of the counsel, ‘Deum time, et mandata eius observa’, fear God and keep his commandments. A praying and working man, framed by the two sentences that tell him why.

Above him the Name burns at the top of the plate, and what falls from it falls as rain. Ten streams of drops come down out of the glory, each lettered: ‘Timor Dei. Temperantia. Humilitas. Justitia. Patientia. Fortitudo. Misericordia. Prudentia. Benignitas. Castitas.’, the fear of God, temperance, humility, justice, patience, fortitude, mercy, prudence, kindness, chastity. At the left an open book hangs its seven seals below it and says ‘Dignus Yehoshuah solus, accipere Librum, et aperire signacula eius: Hallelujah, Hallelujah, Hallelujah’, worthy is Jesus alone to take the Book and open its seals, the fifth chapter of the Apocalypse, with the name of Jesus in Hebrew as the Christian Kabbalists wrote it, the four letters of the Name with a shin set in. At the right stand the two tablets of the Law.

The rings round the square are lettered with the faculties of the soul, ‘Cognitio. Amor. Spes. Phantasia. Sensus exteriores. Sensus interior.’ among them, as far as the archive reads them. Van der Doort signed himself ‘Dei gratia inventor’, inventor by the grace of God, which on this plate is not a formula.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Triangle and the Pyramid

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed in 1609; the holding institution publishes its scan under the Licence Ouverte, which asks only that the source be named.
Restoration
None. A 1400 by 1308 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Heinrich Khunrath, physician and theosopher of Leipzig, about 1560 to 1605, who devised the plates of the Amphitheatrum and wrote their captions; the Oratory and Laboratory was drawn by Hans Vredeman de Vries and engraved by Paullus van der Doort in 1595
Titled here
The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals. Internet Archive catalogues it as: The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals, from Amphitheatrum Sapientiae Aeternae, Hanau 1609
Checked
the Internet Archive item metadata for both copies, 4 September 2026: Khunrath as author, Hanau, G. Antonius, 1609; the Paris copy under Licence ouverte and the Wellcome copy under the Public Domain Mark. The plate captions were read off the page images and are quoted only as far as they could be read. Not seen in the hand. The inscriptions were read again at the size of the archive's own image on 5 September 2026 and the marks measured on that image; Hebrew and Greek lettering is given in transliteration in the quotations.
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Cite
Symbolica, “The regenerate man, Ora and Labora lettered on his arms, with the Book and its seals”, Heinrich Khunrath, designer, 1602 to 1609. thesymbolica.com/work/the-regenerate-man-ora-et-labora/