Da ignem igni, Mercurium Mercurio, & sufficit tibi

Da ignem igni, Mercurium Mercurio, & sufficit tibi

The Divine as the central motif, with Fire in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Da ignem igni, Mercurium Mercurio, & sufficit tibi.”

Symbolica, 2026 Maier’s Latin, put into English here: Give fire to fire, mercury to mercury, and it is enough.

Michael Maier, 1618 “Machina pendet ab hac mundi connexa catena
Tota, SUO QUOD PAR GAUDEAT OMNE PARI:
Mercurius sic Mercurio, sic jungitur igni
Ignis, & haec arti sit data meta tuae.
Hermetem Vulcanus agit, sed penniger Hermes,
Cynthia, te solvit, te sed, Apollo, soror.”

Symbolica, 2026 Maier’s epigram, put into English here: The whole engine of the world hangs linked from this chain, BECAUSE EVERY LIKE REJOICES IN ITS LIKE. So Mercury is joined to Mercury and fire to fire, and let that be the goal set for your art. Vulcan drives Hermes, but winged Hermes dissolves you, Cynthia, and you, Apollo, are dissolved by your sister.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

Mercury with his caduceus led toward a furnace where a crowned figure sits. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Da ignem igni, Mercurium Mercurio, & sufficit tibi’: give fire to fire, mercury to mercury, and it is enough. Merian draws the sentence: two Mercuries and one fire.

Maier gives the rule behind the recipe in capitals: the whole engine of the world hangs from one chain, ‘SUO QUOD PAR GAUDEAT OMNE PARI’, because every like rejoices in its like. ‘Mercurius sic Mercurio, sic jungitur igni’, so Mercury joins Mercury and fire joins fire, and let that stand as the goal set for your art. The god in the winged cap carries the metal's name, and Merian draws him twice because the line joins him to himself.

The last couplet runs a chain of dissolutions. ‘Hermetem Vulcanus agit’, Vulcan drives Hermes: the fire works the mercury. Winged Hermes in turn dissolves the moon, ‘Cynthia, te solvit’, and his sister dissolves the sun, ‘te sed, Apollo, soror’. Fire, mercury, moon, sun: the chain starts at the furnace between the two gods.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

Fire

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1128 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Da ignem igni, Mercurium Mercurio, & sufficit tibi. Internet Archive catalogues it as: Emblema X, from Atalanta Fugiens, page 49
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Da ignem igni, Mercurium Mercurio, & sufficit tibi”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/da-ignem-igni-mercurium-mercurio-sufficit-tibi/