Aurum pluit, dum nascitur Pallas Rhodi, & Sol concumbit Veneri

Aurum pluit, dum nascitur Pallas Rhodi, & Sol concumbit Veneri

The Divine as the central motif, with the Sun and the Moon in a secondary part. From Atalanta Fugiens.

Michael Maier, 1618 “Aurum pluit, dum nascitur Pallas Rhodi, & Sol concumbit Veneri.”

Symbolica, 2026 Maier’s Latin, put into English here: Gold rains when Pallas is born at Rhodes and the Sun lies with Venus.

Michael Maier, 1618 “Res est mira, fidem fecit sed Graecia nobis
Ejus, apud Rhodios quae celebrata fuit.
Nubibus Aureolus, referunt, quod decidit imber,
Solubi erat Cypriae junctus amore Deae:
Tum quoque, cum Pallas cerebro Jovis excidit, aurum
Vase suo pluviae sic cadat instar aquae.”

Symbolica, 2026 Maier’s epigram, put into English here: It is a strange thing, but Greece made us believe it, the story kept among the Rhodians. A golden shower, they report, fell from the clouds, when the Sun was joined in love with the Cyprian Goddess. And at the time when Pallas sprang from the brain of Jove, gold fell in its vessel like rain water.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif
  2. Secondary motifs · 1

The smith at his anvil, Pallas born in the sky behind, the lovers at the right. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Aurum pluit, dum nascitur Pallas Rhodi, & Sol concumbit Veneri’: gold rains when Pallas is born at Rhodes and the Sun lies with Venus. Two stories on one plate, the birth at the left and the bed at the right, and a fire in the smithy behind them.

Maier admits the story is strange, ‘Res est mira, fidem fecit sed Graecia nobis’, but Greece made us believe it, the tale kept among the Rhodians.

‘Nubibus Aureolus, referunt, quod decidit imber’, a golden shower, they report, fell from the clouds, ‘Solubi erat Cypriae junctus amore Deae’, when the Sun was joined in love with the Cyprian goddess; the printer of 1618 ran Sol ubi into one word, and the archive keeps it as printed. The Sun is the man with rays round his head under the canopy, and Venus is beside him; in the work they are the two things whose union produces gold.

‘Tum quoque, cum Pallas cerebro Jovis excidit’, and at the time when Pallas sprang from the brain of Jove, ‘aurum / Vase suo pluviae sic cadat instar aquae’, gold fell in its vessel like rain water. Vulcan is the one with the axe, and the birth he assists is a birth out of the head: wisdom coming out of the god by force, and gold coming down with her. Two ways gold arrives, by love and by a blow, and Maier gives them one motto.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Sun and the Moon

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1203 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Aurum pluit, dum nascitur Pallas Rhodi, & Sol concumbit Veneri. Internet Archive catalogues it as: Emblema XXIII, from Atalanta Fugiens, page 101
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
By email · free

One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “Aurum pluit, dum nascitur Pallas Rhodi, & Sol concumbit Veneri”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/aurum-pluit-dum-nascitur-pallas-rhodi-sol-concumbit-veneri/