The Creation of the World and the Expulsion from Paradise

The Creation of the World and the Expulsion from Paradise

The Divine as the central motif, with the Hand and the Heavens in a secondary part. From The Met, open access.

The motifs the picture carries, filed by role. The marks on the picture itself come with the entry.

  1. 1The Divinecentral motif as it reads here: The Creator
  2. 2The Handsecondary motif
  3. 3The Heavenssecondary motif

God the Father in the sky sets the cosmos turning with one hand, concentric spheres with the zodiac at their rim, the Expulsion at the right; the Divine as the central motif, the Hand and the Spheres by eye. By eye

Not yet decoded: the key and the sourced notes come with the entry. Until then the motifs above are tagged by eye and said so.

Record

Source
Rights
CC0. The Metropolitan Museum of Art's Open Access programme places its images and data of public-domain works in the public domain worldwide, for any use.
Restoration
None. A 1400 by 1246 pixel web copy made from the source file; nothing retouched, nothing upscaled.
Series
Artist
Giovanni di Paolo, Siena, about 1403 to 1482
Checked
the Metropolitan Museum of Art's own catalogue record, 4 September 2026: the rights, the maker, the date, the medium, accession 1975.1.31. The title is theirs. Not seen in the gallery.
By email · free

One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “The Creation of the World and the Expulsion from Paradise”, Giovanni di Paolo, 1445. thesymbolica.com/work/the-creation-of-the-world-and-the-expulsion-from-paradise/