The Hermit (IX)

The Hermit (IX)

The Hermit as the central motif, filed under the Hand, with the Heavens in a secondary part. From The 1909 tarot.

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An old man in a grey hooded cloak on a snowy peak, holding up a lantern with a six-pointed star shining in it, a staff in his other hand, a grey-blue sky behind; the Hermit as the central motif. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

Everything in Waite’s reading of the Hermit turns on where the lamp is. In the older cards the bearer half hides it in his cloak; here he holds it up, and ‘the variation from the conventional models in this card is only that’. The man himself ‘blends the idea of the Ancient of Days with the Light of the World’, and ‘it is a star which shines in the lantern’.

The consequence is that this is not a seeker. ‘The Hermit is not, as Court de Gebelin explained, a wise man in search of truth and justice’; ‘this is a card of attainment, as we shall see later, rather than a card of quest’. He has climbed, he is at the top, and he is ‘holding up his beacon on an eminence’ for the sake of whoever is below. Waite gives the lantern its own line of speech: ‘where I am, you also may be’.

The star in the lantern is drawn, not explained. Waite says it is a star and moves on, and spends his energy instead on what the lantern is not: not ‘the Light of Occult Science’, not ‘occult isolation, as the protection of personal magnetism against admixture’, which he calls ‘one of the frivolous renderings which we owe to Eliphas Lévi’. The light is for showing, not for keeping.

His last thought is about concealment. The unknown philosopher of the Martinists, Waite says, was not hiding anything on purpose; the phrase meant, ‘like the card itself’, ‘the truth that the Divine Mysteries secure their own protection from those who are unprepared’. Nothing is locked. The lantern is held up in plain sight on a mountain; the climb is the only door.

Waite, 1911 “Therefore the Hermit is not, as Court de Gebelin explained, a wise man in search of truth and justice; nor is he, as a later explanation proposes, an especial example of experience.”

Waite, 1911 “It is further a card which is understood quite incorrectly when it is connected with the idea of occult isolation, as the protection of personal magnetism against admixture. This is one of the frivolous renderings which we owe to Eliphas Lévi.”

Waite, 1911 “It did not refer to the intended concealment of the Instituted Mysteries, much less of their substitutes, but--like the card itself--to the truth that the Divine Mysteries secure their own protection from those who are unprepared.”

Waite, 1911 “He is said to be in search of that Truth which is located far off in the sequence, and of justice which has preceded him on the way. But this is a card of attainment, as we shall see later, rather than a card of quest.”

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Where the detail is the subject

the Heavens

This is in the picture without being what it is about. Below, one work that is about it.

Record

Source
Rights
Public domain in the United States, where the 1928 book's term expired on 1 January 2024, and in the European Union, where the artist's rights have lapsed. The Internet Archive uploader's Creative Commons notice cannot attach to a public-domain plate; the record relies on the public-domain status and credits the Archive as the source of the scan.
Restoration
None. A 819 by 1400 pixel web copy made from the source file; nothing retouched, nothing upscaled.
Series
Artist
Pamela Colman Smith, London and Bude, 1878 to 1951; drew the seventy-eight cards of the 1909 tarot for A. E. Waite
Titled here
The Hermit (IX). Internet Archive catalogues it as: The Hermit, card IX of the 1909 tarot
Checked
Not yet checked against a second source. The record is as the holding institution published it, or as its caption was read here.
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Cite
Symbolica, “The Hermit (IX)”, Pamela Colman Smith, 1909. thesymbolica.com/work/the-hermit-1909/