Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absq; pedibus

Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absq; pedibus

The key as the central motif, filed under the Hand. From Atalanta Fugiens.

Michael Maier, 1618 “Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absq; pedibus:”

Symbolica, 2026 Maier’s Latin, put into English here: Whoever tries to enter the philosophers' rose garden without a key is like a man wanting to walk with no feet.

Michael Maier, 1618 “Luxuriat Sophiae diverso flore ROSETUM,
Semper at est firmis janua clausa seris:
Unica cui clavis res vilis habetur in orbe,
Hac sine, tu carpes, cruribus absque, viam.
Parnassi in vanum conaris ad ardua, qui vix
In plano valeas te stabilire solo.”

Symbolica, 2026 Maier’s epigram, put into English here: The ROSE GARDEN of Wisdom runs riot with flowers of every kind, but its door is always shut with strong bolts. Its one key is a thing held cheap in the world. Without it you will take the road with no legs under you. In vain you try the heights of Parnassus, you who can barely keep your footing on level ground.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif

A man without feet walking toward the locked gate of a walled garden, the philosophers in the hills beyond; the key the motto names is what he lacks, and the archive files the key under the Hand. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absq; pedibus’: whoever tries to enter the philosophers' rose garden without a key is like a man who wants to walk without feet. Merian drew the man, footless, at the locked gate of a walled garden, while the philosophers sit in the hills beyond the wall.

‘Luxuriat Sophiae diverso flore ROSETUM’, the rose garden of Wisdom runs riot with flowers of every kind, ‘Semper at est firmis janua clausa seris’, but its door is always shut with strong bolts. ‘Unica cui clavis res vilis habetur in orbe’, its one key is a thing held cheap in the world, ‘Hac sine, tu carpes, cruribus absque, viam’, and without it you will take the road with no legs under you. The lock is drawn and the key is not: the emblem is about the one thing the seeker lacks, and Maier says it is cheap.

The last couplet is a rebuke. ‘Parnassi in vanum conaris ad ardua’, in vain you try the heights of Parnassus, you who can barely keep your footing on level ground. The rose garden is the Rosarium, the book of the philosophers, and the key to it is not a secret but a thing anyone might pick up and most people do not think worth having.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1163 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absq; pedibus. Internet Archive catalogues it as: Emblema XXVII, from Atalanta Fugiens, page 117
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absq; pedibus”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/qui-rosarium-intrare-conatur-philosophicum-absque-clave-assimilatur-ho/