Hic est Draco caudam suam devorans

Hic est Draco caudam suam devorans

The Serpent and the Dragon as the central motif. From Atalanta Fugiens.

Michael Maier, 1618 “Hic est Draco caudam suam devorans.”

Symbolica, 2026 Maier’s Latin, put into English here: This is the dragon devouring its own tail.

Michael Maier, 1618 “Dira fames Polypos docuit sua rodere crura,
Humanaque homines se nutriisse dape.
Dente Draco caudam dum mordet & ingerit alvo,
Magna parte sui fit cibus ipse sibi.
Ille domandus erit ferro, fame, carcere, donec
Se voret & revomat, se necet & pariat.”

Symbolica, 2026 Maier’s epigram, put into English here: Dire hunger taught the octopus to gnaw its own limbs, and taught men to feed themselves on human meat. While the Dragon bites its tail with its teeth and takes it into its belly, it becomes its own food in great part. That one must be tamed with iron, with hunger, with prison, until it devours and vomits itself up, kills itself and gives birth to itself.

Tap a motif on the picture, or a line below. Its note opens under the line, with the reading its author gave it.

  1. Primary motif

The dragon coiled and eating its own tail before a ruined arch: the ouroboros drawn plainly. By eye

The picture read whole, in the archive's words, from the sources quoted on the marks. Read on, and the picture follows: the motif under discussion keeps its colour.

‘Hic est Draco caudam suam devorans’: this is the dragon devouring its own tail. Merian drew it as a real beast, winged and scaled, lying in a ring before a ruined arch, and the ring is the whole picture.

Maier begins with hunger. ‘Dira fames Polypos docuit sua rodere crura’, dire hunger taught the octopus to gnaw its own limbs, and taught men to eat men. ‘Dente Draco caudam dum mordet & ingerit alvo’, while the dragon bites its tail with its teeth and takes it into its belly, ‘Magna parte sui fit cibus ipse sibi’, it becomes its own food in great part. Then the instruction, which is the emblem's real content: ‘Ille domandus erit ferro, fame, carcere, donec / Se voret & revomat, se necet & pariat’, that one must be tamed with iron, with hunger, with prison, until it devours and vomits itself up, kills itself and gives birth to itself.

Iron is the fire, hunger the withholding of food, prison the sealed glass; the dragon is the matter, and the ring it makes with its own body is the work going round. The ouroboros has an entry of its own in this archive, and this is the plainest picture of it the archive holds.

Decoded: every motif is marked, and each mark carries the reading its author gave it, quoted from the text, or says that it is observed on the picture and not read. The reading above is the archive's own, made from those sources and no others.

Record

Source
Rights
Public domain. The book was printed at Oppenheim in 1618 and its author, engraver, printer and publisher have been dead for more than three centuries; the Getty Research Institute's scan of it on the Internet Archive carries no further restriction.
Restoration
None. A 1400 by 1204 pixel web copy made from the source file; nothing painted, nothing upscaled.
Series
Artist
Matthaus Merian, engraver and publisher, 1593 to 1650, to whom the fifty plates of Atalanta Fugiens are attributed by tradition rather than by signature
Titled here
Hic est Draco caudam suam devorans. Internet Archive catalogues it as: Emblema XIV, from Atalanta Fugiens, page 65
Checked
the Science History Institute's catalogue of the same 1618 Oppenheim printing, 4 September 2026: Maier as author, de Bry as publisher, Galler as printer, Merian as engraver, and Public Domain Mark. The engraving is attributed to Merian by tradition and is not signed. The image here is from the Getty Research Institute's scan of the same edition on the Internet Archive; the leaf is named in the source line. Not seen in the hand.
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Cite
Symbolica, “Hic est Draco caudam suam devorans”, Matthaus Merian, attributed, for Michael Maier, 1618. thesymbolica.com/work/hic-est-draco-caudam-suam-devorans/