The Creation of Adam

The Creation of Adam

The Divine as the central motif, with the Horse and the Lion in a secondary part. From The Met, open access.

The motifs the picture carries, filed by role. The marks on the picture itself come with the entry.

  1. 1The Divinecentral motif as it reads here: The Name in Glory
  2. 2The Horsesecondary motif
  3. 3The Lionsecondary motif

The Creation of Adam in a Swiss panel: the Creator is present only as the Hebrew Name in rays of light breaking from the clouds, Adam sits among the animals, two white horses and a lion at the right, a German inscription below; the Divine as the central motif, the Horse and the Lion by eye. Earlier tagged for the Hand in error: no hand is shown. By eye

Not yet decoded: the key and the sourced notes come with the entry. Until then the motifs above are tagged by eye and said so.

Record

Source
Rights
CC0. The Metropolitan Museum of Art's Open Access programme places its images and data of public-domain works in the public domain worldwide, for any use.
Restoration
None. A 1364 by 1084 pixel web copy made from the source file; nothing retouched, nothing upscaled.
Series
Artist
Muller, glass painter, Swiss or German, seventeenth century, as the Met records the name
Titled here
The Creation of Adam. The Metropolitan Museum of Art catalogues it as: The Creation of Adam (one of a set of four)
Checked
the Metropolitan Museum of Art's own catalogue record, 4 September 2026: the rights, the maker, the date, the medium, accession 32.100.342. The title on this page is ours, as the line above says. Not seen in the gallery.
By email · free

One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “The Creation of Adam”, Muller (Swiss or German), mid-17th century. thesymbolica.com/work/the-creation-of-adam/