The Hieroglyphic Figures attributed to Nicolas Flamel
Coloured etchings and paintings after the emblematic figures attributed to the Paris scrivener Nicolas Flamel, held by Wellcome Collection. Flamel's text describes, at length and in the first person, the paintings on a book he says he bought secondhand, and pointedly declines to reproduce them; the museum's note on this series records that the images were only actualised in 1672, in W. Salmon's edition. Thirteen sheets are here and they fall into four kinds. Four of them, numbered 4, 6, 7 and 8, draw Flamel's descriptions clause by clause and are keyed against Eirenaeus Orandus's English of 1624. Four more take their details from the Apocalypse and are keyed against the Douay-Rheims. Four were filed under Flamel in September and are not his, on the museum's own evidence, and their records now say so. One, the magi sheltering in a cave, is still unread.
The Virgin with a Dragon at Her Feet
Two Peasants Hold a Red Robe, Mercury Rests on the Water Below
Three Riders on Black, Red and White Lions
A Crowned Woman with a Rose-Topped Caduceus, in a Circle of Water
Rivers in the Wilderness, with Serpents and Fire
The Magi Sheltering in a Cave
A Queen in Red is Presented with Dishes of Blood
The King with Three Crowns and the Seven-Headed Hydra
A Body Consumed by the Furnace
Christ Between Seven Candlesticks
The Flowering Tree on the Mountain, with the Dragons and Griffons
The Rose Tree on the Hollow Oak, and the Blind Diggers
The King with the Falchion, and the Blood of the Infants