Below, I saw the vaporous contours of a human form

Below, I saw the vaporous contours of a human form

The Eye as the central motif. From The Met, open access.

The motifs the picture carries, filed by role. The marks on the picture itself come with the entry.

  1. 1The Eyecentral motif as it reads here: The Watching Eyes

A pale seated figure at a small round table in a dark room; above and behind, a shape of deeper black with two eyes shining out of it; the Eye as the central motif, by eye. The plate is the second of a portfolio, and the Met records the sentence as its title. By eye

Not yet decoded: the key and the sourced notes come with the entry. Until then the motifs above are tagged by eye and said so.

Record

Source
Rights
CC0. The Metropolitan Museum of Art's Open Access programme places its images and data of public-domain works in the public domain worldwide, for any use.
Restoration
None. A 953 by 1400 pixel web copy made from the source file; nothing retouched, nothing upscaled.
Series
Artist
Odilon Redon, Bordeaux and Paris, 1840 to 1916; the noirs, charcoals and lithographs of the 1870s to the 1890s, then colour
Checked
the Metropolitan Museum of Art's own catalogue record, 4 September 2026: the rights, the maker, the date, the medium, accession 28.81.7(2). The title is theirs. Not seen in the gallery.
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One symbol a week, decoded.

This picture is free at full size from its source, linked above. What an address gets is the Sunday letter: one picture, one symbol marked on it, what it meant and who said so, and the master files of the decoded plates as they are verified. Leave any time.

Cite
Symbolica, “Below, I saw the vaporous contours of a human form”, Odilon Redon, 1896. thesymbolica.com/work/below-i-saw-the-vaporous-contours-of-a-human-form/